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Writers' and Artists' Yearbook
The old master of UK-originated
writer's guides, which also covers art and illustration markets. If you're
a writer I either suggest buying this and the Writer's Handbook and seeing
which you prefer, or alternating between the two. Either way, unless you
have an agent it's an essential guide to where you can sell your stuff.
This resource includes up-to-date listings
of all media markets, including artists, illustrators and designers. For
writers, it covers more listings of national newspapers/magazines, more
Websites, and practical information on writing for newspapers and
magazines. Also included is advice on marketing your book, how to get an
agent and how to submit a typescript. For the artist, topics include
freelancing, picture research, market for greeting cards and cartoons,
artists' agents, and Websites for artists.
There is now also a children's
writers' version:
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The Writer's Handbook
A useful alternative to the Writers' and
Artists' Yearbook - much the same material but presented in a slightly
different (dare we say slightly more modern?) way.
Our preference is to alternate between these
two books year on year.
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The Writer's Market UK
The big name for US writers now also has
a UK version - still some suspicions that the homegrown versions (above)
might have the edge, but if you like Writer's Market, you ought to take a
look at this.
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Writer's Market edited by Katie Brogan and Robert Brewer
The giant guide to the US market,
packed with entries. Note that there also specific market versions (see
end of write-up).
Writer's Market is the indispensable
writer's reference, providing more up-to-date and accurate market entries
than ever before. Break into the US market with these listings of book
publishers, consumer and trade magazines, script buyers and more.
Easy-to-reference symbols and indexes readers zero in on the most
promising markets for their work. They'll find phone numbers, contact
names, pay rates, e-mail addresses, guidelines and submission tips for
over 4000 leads - crucial information that can help them get published and
get paid.
There are several subsection books that
give more detail for other markets, plus the Deluxe Edition with online
access and more:

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Novel and Short Story Writer's Market
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Children's Writer and
Illustrator's Market
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Writing Bestselling
Children's Books
by Alexander Gordon Smith
There's something attractive about writing novels for children -
not only are children's books usually shorter than those for adults, but it's
hard not to feel that you've got the chance - however small - of producing
the next Harry Potter. Writing Bestselling Children's Books provides 52
key ideas to improve your chances of making it as a children's author.
Like other books in
this series, each of the 52 ideas is much more than a one-liner, providing
instead a range of useful, practical suggestions, little side comments,
and very valuably a "how did it go" question and answer at the end,
helping deal with any potential misunderstandings.
The author is realistic
enough to emphasize that you won't necessarily get the J. K. Rowling treatment,
but there's no doubt that if you take the very professional advice inside, you will have a significantly better chance of being published.
Alexander Gordon Smith
not only gives positive tips, but picks up on the mistakes repeated time
and time again by new authors, from talking down to the audience to
writing out-of-date children's fiction. |
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Inspired Creative Writing
by Alexander Gordon Smith
Creative writing isn't something you can learn from a book - it takes
talent and lots of practice - however, there's no doubt that a good book
can give you a push in the right direction, and this member of the "52
brilliant ideas" series does a good job.
There are 52 short chapters (handily one a week if your mind works well with
that sort of structure). Apart from the main text there's a here's an idea
for you box to try out straight away, try another idea that links to
another of the sections, defining idea which is a relevant quote and
how did it go, which gives guidance when it hasn't worked out properly for
you. To be honest, the defining ideas weren't particularly inspiring, but that
last section, how did it go, is a brilliant concept - not original, but
(as I'm sure the authors will tell you) creativity isn't always about being
original, and having a "how to fix it if it didn't work for you" bit is superb.
You can guarantee that not every one of
these suggestions will work for you - but many of them will, and
altogether it makes a very effective kickstart for your creative writing
talents. |
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Marketing Your Book:
An Author's Guide by Alison Baverstock
You might thing it's enough to get your book published, but most of
authors actually want to be read. That means getting people to buy
the book in the first place. You might think that's the publishers' job -
but they've got lots of books to concentrate on - you've only got yours.
This is an excellent,
practical guide to what you can do to improve the marketing (and hence the
sales) of your books. It's not one of those woffly self-help book that
promises lots and delivers little - it is practical and effective. Highly
recommended.
Out
of stock in the US, but available from Marketplace by clicking the
Amazon.com link, then selecting from the box on the right.
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Outwitting Writer's Block by Jenna Glatzer
The back cover says this: If you've ever found yourself staring at the
blank page all day, or cleaning out the refrigerator for the fifth time in
a week just to avoid seeing that taunting, blinking cursor, then you've
experienced writer's block. Outwitting Writer's Block will help any writer
break through the dreaded block and become a more creative and better
writer than before. Filled with exercises designed to jump-start
creativity and encouraging tips from fellow writers and instructors, this
book is like Drano for clogged creative pipes.
The fact is, a lot of of
us have problems getting down to writing, and whether or not you believe
in 'writer's block' per se, it's a great benefit to have something to help
you get started.
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Mining the Internet by Brian Clegg
This book takes the pain out of using the
Internet as an information source, whether you need to know what's on at your local
cinema, to find a telephone number of a publisher on the other side of the world, or to
produce in-depth research material for your next book. It provides simple,
practical ways to improve your ability to find the right information, with specific
application-focussed sections to chase up specific requirements.
The Internet is much too fluid for a
guidebook to be of any use. Instead of taking the user on a tour of the Internet, this
book builds the skills needed for anyone to be their own explorer. It keeps the subject
light, concentrating on the information rather than the technology. The book is split into
Skills chapters, giving you helpful information on how to find things on the Internet, and
Focus chapters, giving help with specific information topics.
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The Internet, A Writer's Guide by Jane Dorner
This isn't a 'how-to' book on getting
connected to the Internet, but rather a guide for writers on making the
most out of a powerful resource. The author likens it to a cookbook rather
than a recipe book - principles and tips rather than a set of specific
instructions.
Chapters cover getting connected, e-mail, the
Web, virtual communities, electronic imprints, new writing opportunities,
the practicalities of publishing on the Web and the issues of being
involved in an online environment. There is also an online component of
the book containing 800+ writers' links on the Internet (including this
site).
If you are interested in using the Internet
as in information source, we strongly recommend Mining the Internet
(see above), but this book is an excellent complement for writers bringing
in all the aspects of getting published on the Web, meeting up with fellow
writers and using this amazing resource to the full.
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Writing the Blockbuster Novel by Albert Zuckerman
Cited by some as the best guide to
writing popular fiction, this is part fiction-biology textbook, part
cookbook. Its author, Albert Zuckerman, dissects the commercial
bestseller, then provides recipes for each discrete element. Settings,
according to Zuckerman, should be "topical, trendy, 'sexy'"--either
newsworthy hotspots or uncharted territory--and main characters, à la Don
Corleone and Scarlett O'Hara, should loom larger than life. Like Hollywood
blockbusters, "mega-books" should be high concept, with high stakes.
Zuckerman discusses point of view (there should be multiple), character
relationships, plotting, revision, and especially outlining. "Every
mega-book with which I've been involved was planned and replanned and
planned again," he confides. Indeed, a 63-page chapter here features four
versions of Ken Follett's outline for The Man from St. Petersburg and an
analysis of each. Still, no matter how good your outline, remember that
there's a learning curve. A beginning novelist writing a successful
blockbuster novel, says Zuckerman, is about as likely as "a high school
athlete trying to play with the Dallas Cowboys." |