Discord – Mike Goldsmith ***

Subtitled ‘the story of noise’ this is a book about noise as nuisance, noise as literal discord and just what noise is – through the ages.

When I started the book I was thrilled – there really hasn’t been a good book about sound that I’ve come across, and inevitably this book puts in place a lot of the science of sound, as well as what turns it into noise. The early part is truly fascinating.

It’s very interesting in terms of noise as nuisance just how far the concept goes back, and also a delight to see the various early legal and scientific attempts to quantify it and control it. Overall, though, the plodding historical approach, almost decade by decade, does become horribly repetitive as the book continues and this really makes what would otherwise have been a truly excellent book a bit of a chore to read.

My other sadness is that there isn’t more about discordant music. As far as I have spotted there are only two references to this, first in the classical era and then 20th century. This misses some great possibilities – for example the way in Tudor/Elizabethan music, effectively a different key was used for ascending and descending note sequences, producing some startling discords – or for that matter the way Bach made use of them and then was Bowdlerized by the Victorians who thought he didn’t mean it.

Overall, then, a great start to an excellent concept, but the book doesn’t deliver consistently and can be more than a bit repetitious.

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Review by Brian Clegg

Light and Sound (Discovery Science) – Mike Goldsmith ***

Inside this slim, medium format book (bigger than an ordinary book, smaller than coffee table) the target audience of key stage two (the older part of primary school) are introduced to two scientific topics – light and sound. From a physics point of view, putting these together is a bit odd, as they aren’t related in any way, but from an anthropomorphic viewpoint they are linked by our senses, so it’s no great surprise.

We get a section on each of light and sound, heavily illustrated with photographs, and with a text that is simple (and large) enough to be comfortable for an eight-year-old. This is followed by a handful of rather uninspiring activities (when compared with something like Science Experiments) like making shadow puppets and a string-and-cup telephone. There’s nothing particularly wrong with the science in the light and sound sections, though sound is handled a little better in that it we are first told what it is, while we are never told anything about what light is.

The only problem I have with the content is that it is overly descriptive without explanation (classic Victorian approach, as science often is for younger readers). So, for instance, we are told how three pigment colours (sadly red, yellow and blue rather than the correct magenta, yellow and cyan) mix to make all the colours, and how three light colours (red, green and blue) similarly make all the colours, but never why this is the case – why pigments give us the impression of colour – still very basic stuff, but too explanatory for this approach.

I don’t in any way blame the author or the publisher – this is the fault of the UK national curriculum, which this book is clearly designed to fit, which takes a very old fashioned view of science in junior schools (in part, I suspect, because most junior school teachers are arts graduates).

This is a sound book that does the job it sets out to do – and is fine for the task – but it’s a shame about the straightjacket of the curriculum.

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Review by Brian Clegg

Science Detectives – Mike Goldsmith ****

Although from OUP, this is very much in the style of a Dorling Kindersley book, with two page spreads, highly illustrated and well designed in full colour. Although the book breaks the pattern with three big names (Galileo, Newton and Einstein who get four pages each) and in the introductory sections, the effect is very much a series of detached descriptions of individuals rather than a continuous read (not that this is a huge disadvantage – the book works well).

The idea is to uncover the history of science through the ‘science detectives’ the individuals who have moved science on, and who illustrate the scientific method through their work. Divided into sections on the birth, rise, power, triumph and revolutions of science, with a final ragbag of ‘a new world’ with science at its heart, the introductions to the individual scientists work well. They are pitched at the right level, have strong illustrations and pack in enough facts and factoids to give a good background to the significance of each individual.

The oddest thing about the book is the way it treats mathematics. This is labelled up front as one of the four great sciences, but apart from Archimedes (mostly in there for his science and engineering) there isn’t a single truly maths-based entry. I suppose with some early maths it’s the difficulty of having a person-based structure. There should, for example, have been a page on the Indian origins of the use of zero – but with no individual to pin it to, it presents a problem.

The book perpetuates the myth that there was no science between the Greeks and the renaissance apart from a touch of Arabic work (I wouldn’t personally have chosen Avicenna as the only Arab scientist, but hey) – I was disappointed that Roger Bacon didn’t get an entry. There are inevitably one or two other questions of balance. The Maxwell entry, for instance, only passingly mentions the significance of his electromagnetic work on understanding light (apart from anything else, the fundamental foundation of Einstein’s special relativity), which is odd. I also found it strange that Pauling, Hawking and Berners Lee make it in, but not Feynman – this is bizarre. But any ‘best of’ list is bound to start arguments.

The only other slight problem I had is that the ‘science detective’ metaphor of the title, which sounds quite strong, isn’t followed in the book, which just talks about the individuals and what they discovered. It would have been nice to have seen more about the scientific method, using the detective theme, coming through in these individual pages.

However it remains a good overview of the development of science through the lives of some key individuals along the way. It looks good and should go down well with the audience.

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Review by Brian Clegg

Inventors & their bright ideas – Mike Goldsmith ***

Right at the beginning of the book, Mike Goldsmith comments “you’ll notice that the inventors in this book stop inventing somewhere around the 1930s. That’s because from then on most inventions… were thought up by big companies.” Apart from the obvious observation that companies can’t think, this is a bit of a surprise. I had assumed the cut off date was to ensure, as the series title suggests, that the people involved were both dead and famous. Oh well. But the more significant reason it’s a bit of a surprise is, that when you come to look at it, very few of Goldsmith’s inventors actually came up with their idea on their own either – almost all of them were improving something that was already around or working in parallel with other people and happened to get there first. That’s not a problem, but makes the reasoning a little odd.

It’s inevitable that this book gets compared with Goldsmith’s other similar book, Scientists & their mind-blowing experiments. Though his rather worrying obsession with doing down religion only pops up once this time, Inventors somehow lacks the oomph of Scientists. Perhaps it is, in part, this need to keep saying that they didn’t really think of things. It’s not a bad book, not at all, just not quite as good. There are plenty of surprises too. I keep getting told off by arguing with the teachers at my children’s school that Edison didn’t invent the light bulb – they obviously hadn’t read this book!

Who to choose? Always a difficult one. Goldsmith plumped for a cast iron set: Archimedes, Leonardo, Watt, Stephenson, Edison, Bell, Wright Brothers, Marconi and Baird (he’s the absolute gem of the set, so a great one to finish with). We get a good mix of their life and work, ably supported by the illustrations (though not so intrusively as in series like Horrible Science). Any regrets? When Goldsmith was introducing the concept of a patent, it would have been nice if he’d told people how to pronounce it as (in the UK at least) it’s usually pronounced incorrectly. But it’s a good solid job – just not a stunner.

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Review by Martin O'Brien

Scientists & their mind-blowing experiments – Mike Goldsmith ****

We all love those top n lists. You know. The hundred best film moments. The top ten places to visit in the world. So it must very tempting to sit down and list the nine most significant scientists from history (who are dead). To be fair, Mike Goldsmith doesn’t say this is what he was doing, but surely it must have been in his mind.

Given the big nine – and we’ll just keep you in suspense a moment longer – we then get to hear a bit about their biographies, about their work, and in the end what their significant contributions to science were. On the whole it works very well. Each section gives a self contained and enjoyable picture (some a little better than others), but overall you get a feel of things building. It does inevitably reinforce the model of few great geniuses changing the world, a model that is rather out of fashion these days, but given the limitations of the format that’s nearly inevitable.

So who did he choose? The obvious ones – Galileo, Newton, Faraday, Darwin and Einstein. The slightly less obvious – Aristotle, Mendel, Pasteur and Madame Curie. Most of my obvious five work well and need little comment. Einstein is the weakest, perhaps because there’s so much to cover that it seems rushed. There is also a glaring error at the start of Galileo’s chapter, when it says that Greek writings were rediscovered in the fifteenth century – it’s rather odd if this the case that the likes of Roger Bacon were studying these Greek works at university in the 1200s and writing about them at great length. But things generally go pretty well. (He does also keep alive the myth that Faraday gave his famous Ray Vibrations speech when Wheatstone ran away scared, though it has since been proved that Wheatstone wasn’t scheduled to speak that night.) But what of the others?

At first sight, Aristotle is an odd choice, as he has often been blamed for holding science back for nearly 2,000 years. But Goldsmith uses Aristotle rather as an example of the Greek move away from myth and guesswork to a more logical approach of trying to work out how the world worked. Some might suggest that Archimedes would have been a better choice, because most of his stuff was right, where Aristotle was almost entirely wrong, but that would be unfair. Pasteur makes a lot of sense, not only for the microbial work but a surprise contribution to crystallography – and anyway he was such an odious character it makes sense. Curie, realistically, is probably there because otherwise there wouldn’t be a woman. That leaves Mendel, perhaps the oddest of the choices, in that his work, while extremely important, covered much less ground than the others. We could all suggest, I suspect, half a dozen replacements (let’s start with Maxwell and Feynman)… but then that’s the fun of it all.

One other slightly worrying feature is that the book has an unusually strong anti-religious subtext. While it’s certainly true that religion has got in the way of science over the years (Galileo would hardly disagree), Goldsmith’s repeated comments verge on the obsessive and are in the end a gross oversimplification.

However, luckily this negative strand doesn’t impact highly on the value of the content, and because this works very well, keeps the pages turning and manages to provide a good view of these remarkable people in a very tight space, this book is still deserving of its four stars.

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Review by Brian Clegg

Albert Einstein & his inflatable universe – Mike Goldsmith ***

There is little doubt that Einstein was the famous scientist ever, pipping even Newton (who turns up, very peevish, in this book) to the post. It means he’s one of the few scientists that has proved interesting to the public in his own right – and this book provides a good balance of the man, his life and times and his science.

Just occasionally this grates slightly. The unremittingly jokey approach of the Scholastic children’s science books sounds a bit uncomfortable when describing the break-up of Einstein’s first marriage, or the complexities of Nazi Germany and the Second World War. On the other hand it often works very well to explain some of Einstein’s key contributions to science. After all, he wasn’t hugely happy about maths himself for much of his life, which means there are few scary equations.

A couple of other slight concerns. The regular ‘scary science warnings’ are supposed to tell you the next bit seems a little tricky, but is quite possible to cope with – but could equally make you feel that the next bit is too hard to bother with. And there a couple of moments of factual iffiness, such as when the sun is described as being made of gas, and most particularly in the explanation of Einstein’s realization that light travels at a constant speed. The argument used is effectively circular, while Einstein’s real argument was based on the nature of light as electromagnetic radiation, and isn’t even mentioned (though there’s a strange, coy reference to James Clerk Maxwell).

This apart, however, there is a good explanation of special relativity and its consequences, an reasonable attempts at general relativity and the photo-electric effect, though Einstein’s resistance to quantum theory could be better handled.

All in all, it might be the conclusion you come to is that it’s worth waiting until the reader can cope with a grown-up book on Einstein, like Gribbin & White’s Einstein, a Life in Science, and to look out for the moment for a children’s book on relativity (we’ll link to one as soon as we’ve got one reviewed) or light (like Frightening Light), rather than taking the approach of this book. There’s nothing really wrong with it – as always in these series, the cartoons are often a great help – but it just doesn’t click the way some do.

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Review by Jo Reed

Riotous Robots – Mike Goldsmith ****

Like many children’s popular science books, this is really a cross between a popular science book and a text book – it doesn’t have the end-to-end readable flow of a true popular science book, tending to operate more as a set of mini-articles. But this isn’t too much of a problem, and the writing is enjoyable without being condescending.

In covering robots, Mike Goldsmith starts us off with fictional robots, looks at their applications in work and at home, then in the wider reaches of space and the sea, before heading off into future possibilities. There’s plenty of good material in here, though not many of the people around the robots emerge as personalities – the machines win every time.

He’s at his weakest when dealing with fiction. At least thee of the facts are wrong – he confuses the film of Frankenstein with the book, saying that in the book Frankenstein’s monster is matey “until it discovers… its somewhat terrifying appearance” – in fact, in the book the monster is very attractive in appearance, and it goes to pieces agonising over its soul or lack of one. He also refers to Daleks as robots, though later slightly redeems himself by classing them as cyborgs, and says the robot in Metropolis has no name, when it is clearly called the robot Maria.

That fictional hiccups aren’t too bad though, and once he gets onto the real things, Goldsmith goes great guns. In fact it’s a shame that more TV fiction writers (got this, Joss Whedon of Buffy fame?) couldn’t take a leaf out of Goldsmith’s book in realizing just how hard it is to make a robot that’s anything like a real person. Our favourite robot? The slug powered bot that crawls around the garden catching pests and eating them.

 

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Review by Jo Reed

**** Riotous Robots was great, it had so many fun and exciting facts. I liked the time line best; it showed all the different robots from 1499 to 2003, it was so interesting. If I had to choose a robot I would choose… Aibo. He is a robot pet; he’s a dog. The first version of him was built in 1999.

I have learned lots of things about robots, space and under the water. I liked the spacebots chapter as it had lots of information on robots that had gone to the moon (or failed to go to the moon). My favourite seabot was Jason Junior as he was an underwater explorer and I like the sea.

I give this book four stars – very good to excellent – because I learned lots of things. Although I enjoyed this book I would not read lots of these as I find it difficult to remember all the facts.

I enjoyed how the book was written as Dr Mike Goldsmith added in lots of funny illustrations that had humorous speech. It made it easier to read as the pictures broke up the writing.

Review by Josie, Aged 11